The art of creating Persian carpets dates back in time, like 500 BC, based in the area now called Iran. Over the years, art has demonstrated high and low rates, but the fact that 1.2 million Iranian weavers continue to weave carpets for the domestic and international markets speaks about the timelessness of the craft. The design of Persian-style carpets stands out for its complexity and timeless beauty.
Persian Carpet Design
Persian carpet designs can be rectilinear or curvilinear, the latter being the more complex of the two. Traditional weavers for carpets embody projects in memory. In later methods, complex drawings are developed on graphic paper and drawn to scale using real colors. Since each square of the graph corresponds to the weaver’s node, the result corresponds exactly to the design. Computerized projects are now replaced manually in the chart.
Classic Persian carpet designs include motifs or patterns that are laid out within a border or several borders. The motive is placed within the border - either completely, or in the middle, or in one direction. Adaptations include a repeat medallion in which the central template of the medallion is repeated in a column or in the form of a grid. Gabbeha and Kelims carpets are examples of asymmetrical designs of Persian carpets.
The motives are characteristic and take the name of the geographical area where the carpet was originally woven. Over time, motifs have become popular, and now you can find a mixture of motifs in one carpet. But ancient patterns remain the main patterns, and variations form sub-patterns.
Popular motifs used in Persian rugs
Boteh: The word comes from the word Farsi for an open bud or palm leaf. Flame, tears, bumps, pears and trees are adaptations. The famous paisley pattern also comes from Botech or Booth.
Gul: The word means flower in Farsi. The motif is typical for Turkmenman, Gorgan and Hal Mohammadi carpets. He uses a geometric pattern to depict an octagonal flower that is used to cover the carpet in its essence.
Herati: This is a typical field design with a repeating diamond pattern with a flower inside it. The diamond is surrounded by curved leaves, one for each side of the diamond. This design is in both straight and curvilinear models.
Mina-Hani: The structure derived from nature combines a field of daisies connected by circular lines. Mina Hani, most suitable for an all-encompassing pattern, is used by Varamin’s weavers.
Power socket: As the name suggests, this motif is in the shape of a rose. He has a central locket with petal formations around him. Used in borders as well as in the carpet area, the Rosette carpet design is typical of Nain carpets.
Shah Abbasi: This design, which is a bunch of palmettes, is most often used in cats such as Kashan, Isfahan, Mashad and Nain. It is used in medallions or in the whole carpet. This motif is common in Tabriz carpets.
As in Persian, the design of the region’s design from the region is also rich in history and reflects the artistic skills of traditional weavers. Authentic Persian rugs are known for their ancient value and can cost thousands of dollars.
